Following the art market, and other ways in which we look at art
Wednesday, September 17, 2008
Gregory Crewdson
The first time I saw a Crewdson photograph, several years ago in one of our contemporary corporate collections, I was struck by the eerie yet peaceful quality of both the composition and the subject matter. How had the artist achieved such a strange and perfect balance? Later I learned that all of his work is choreographed and staged, in either an interior stage set or on location, with a deeply articulated philosophy behind the finished product.
In this recent interview with Crewdson, we get a glimpse into his creative process and perspective, which encompasses all of the reasons why I love contemporary art so much. He describes how his work presents a tension or "collision" of diametrically opposed values, between the familiar and the strange, and the mysterious and the beautiful. And when those values come together, there is a "moment of grace" - an alignment between subject and artist - and I would argue - between artwork and viewer - because of the very nature of tension and the energizing movement required to resolve it.
YES, yes, the existentialist angst is very much apart of his work (in my opinion) which is why I like him so much. I don't know much about Hopper, which paintings do you like? :) Christie
Well, I just got to see Nighthawks at the Art Institute in Chicago over the weekend--love it. But, I think I like some of his interior scenes with women the best. There was a great Hopper exhibit at the National Gallery in DC last fall, did you have a chance to see it?
3 comments:
I had never heard of Crewdson! Thanks for introducing me to his work--fascinating. His photographs remind me a bit of Hopper--the same loneliness.
YES, yes, the existentialist angst is very much apart of his work (in my opinion) which is why I like him so much. I don't know much about Hopper, which paintings do you like? :) Christie
Well, I just got to see Nighthawks at the Art Institute in Chicago over the weekend--love it. But, I think I like some of his interior scenes with women the best. There was a great Hopper exhibit at the National Gallery in DC last fall, did you have a chance to see it?
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